Making sweet love to code

The blog is looking good. There are still some things to work out, but the list is getting shorter. Christopher did a lot of work on it over the weekend and fixed some things I was complaining about in my last post. I made some minor changes today, but they still took some time for me to figure out. My biggest victory was getting the “more” button to not give the user an epileptic seizure.

Other than making sweet love to code (Sorry. We’re listening to Motown and R&B hits on Pandora.), my day was sprinkled with intern duties such as making packages, opening packages and filing samples. One pretty rad thing we received is Stanley Hainsworth’s new book Idea-ology: The Designer’s Journey: Turning Ideas into Inspired Designs in which Christopher is featured! There are some pretty cool photos of Everything is OK Action Kits in use. The book is full of big ideas and talks about the implementation of them. Some of the stories are pretty inspiring because many of these big ideas came out of personal projects and were not funded by any particular client. It just goes to show that doing the thing you love, whether or not you know the outcome in the end, can lead you on a spectacular, unexpected journey and makes all of the tears, sweat, and blood totally worth it.

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*Studio Week West Coast

My hands hurt a little from the past few hours. Why does production always take longer than you think it will? At first, the monotony of repetitive movements is soothing. But around hour three, it starts to suck a little bit.

I’m in the process of putting labels on the Everything is OK Action Kits. These were featured in a window display on Market street for Art in Storefronts not too long ago, and I’m replacing sun-faded labels. When I’m done, these kits will replenish the supply at the San Francisco Museum of Craft and Design. Get ‘em while they’re hot, yo.

So today is a tedious day. But Tim said I could take a stab at designing the boxes for the Word’s Greatest Mug. I’m looking forward to tomorrow.

*For those of you who read this and don’t know, studio week is the sometimes grueling production week before critique at Portfolio Center.

everything is ok.

Behold, the new Everything is OK poster! Designed by The Small Stakes, and screen-printed at Bloom Press. This poster will make a nice addition in the EIOK store.

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art in storefronts.

As some of you may know, two weeks ago saw the unveiling of the long awaited SFAC’s Art in Storefronts project — of which MINE™ was a part. The process of this project has been exciting to witness and to be involved in. Overall, everything came together smoothly: getting the brief; discussing possible options; landing on Everything is OK; creating and sending a mock-up; ordering neon; getting neon; preparing and installing Everything is OK in the space.

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Neon Golden

neon golden.

Coming soon, to a storefront near you.

art in storefronts.

In 16 short days MINE’s contribution to the SFAC’s Art in Storefronts exhibit will be unveiled at 998 Market Street. Today we made the final push to get everything ready for the big day. The *HUGE* neon sign was finalized and ordered, and 30+ specialty invitation Everything is OK cans were assembled and mailed.

Whew.

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fans of stickers.

Big things afoot over here. Our Facebook page recently added it’s 600th fan. I know, pretty awesome. As a thank you we sent a poster pack out to lucky number 600, and one to the fan who helped spread the word. Thank you guys. The pack included four MINE™ posters, and was laden with Everything is OK stickers.

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art in storefronts.

As previously mentioned, MINE™ was chosen (along with other San Francisco artists) to participate in the Art in Storefronts project, curated by the San Francisco Arts Commission. We submitted a proposal and a sample mockup, and waited anxiously for the SFAC’s decision. Upon receiving the good news of our inclusion, high fives and hand shakes were exchanged in the office.

The Examiner had a nice write up about the project as well.

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neon!

We’re in the middle of a cool, multi-faceted project over here. The San Francisco Art Commission recently started a city-wide art project called Art in Storefronts. The project allows local artists to place installations within vacant storefronts throughout San Francisco. MINE™ was selected to create an Everything is OK installation.

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Frank La

everything went ok

Today I accompanied Christopher to Oscar Printing to do a press check for the next installment of the Everything is OK Action Kit. I had been to Oscar before during my time in Sputnik when I went on my first press check for my design of CCA’s President’s Letter. Everything went smoothly today because Frank is Franktastic. I also got a chance to try out Christopher’s new Holga conversion lens to document the trip. Below are the (admittedly shaky) results.

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The smell of ink

Just making sure

Checking the colors, registration, and signing off

Proofs in hand, we headed back to show Tim

First you pick one of the many, lucky cans to be saved from the wretched future of becoming a container for a Hormel product of some kind.

canned social activism

Everything is OK began as a simple project in our design studio. Faced with the mounting inequities in our world and culture, we set out to assemble a list of resources that would point people toward positive action. We launched a simple website as a means of sharing these links. To promote the site, we created barricade tape with the incongruous message “everything is ok.” The tape was first deployed during the 2006 US election, and then again during a massive pillow fight in San Francisco. The response to the tape was overwhelming, and we quickly realized that people were more interested in the tool we had created than the project it was designed to promote. It started showing up in design annuals, museum collections, books and blogs. People started writing to us asking for tape of their own. Gradually, we became interested in exploring the possibilities represented by this intersection of design, art and activism.

Here is what goes into creating each can:

First you pick one of the many, lucky cans to be saved from the wretched future of becoming a container for a Hormel product of some kind.

These have been pre-filled by one of the employees at MINE™ with rolls-onto which the OK tape will be wrapped.

This device (designed by Oona Lyons) is then cranked 172 times in order to transfer 100ft. of tape from the larger spool to the roll that will be placed back inside the can.

Once the roll is placed inside the can, some OK goodies are added to the mix. Stickers shown here.

And buttons shown here.

More button fun.

Once all the goods have been placed in side the can, the signature OK sticker is applied and carefully wrapped around the perimeter of the can so that the graphics align perfectly. (Tougher than I expected)

And lastly the can is placed into the grips of this beast of a tool – where the MINE™ intern develops a healthy sweat and cranks until the can is completely sealed and air-tight.

Victory! Social activism in a can. Use at your own risk.

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lesson #1

Near the end of today before we left the office I was asked to do some organizing by Christopher. One of the tasks was dealing with maximizing the efficient use of space in the office. Being a small office, minute changes can make a huge difference. We had just received a shipment of new cans and tubes for the everything is ok project and I was asked to insert the tubes into the cans to eliminate the need for separate boxes for each.

Simple enough I thought, and started removing the cans from the box. The cans are stacked in four layers of about fifty – so it takes quite a bit of effort to remove them all. I neatly stacked them next to the big box on the ground, and started placing them back in and filling them with the tubes. Tim was working hard on something that was due by the end of the day and Christopher was dealing with a misbehaving broadband connection so I tried my best to keep the clinging and clanging of cans to a minimum. It wasn’t until I filled the box to just about the end when I realized that somehow – I had left over cans. Many more than I could possibly fit back into the box. It wasn’t until pushing around the top layer of cans that I had realized that there was a more efficient way to space the cans. If you can arrange them so that they are slightly offset and so that the concave of each can nestles between the space of two others – you can fit more cans per layer.

To the plight of Tim and Christopher I unpacked all two-hundred or so cans again and used the new method to fit them back in. Overall, the mistake caused the whole operation to last way longer than it should have and I got all sorts of mean looks from Haley the cat as I aggressively threw the remaining tubes into the cans with a clatter. The lesson I learned may seem trivial at first but if you think about it from a design standpoint that sort of mistake could make or break a project with a tight deadline or a irritate the temper of a fussy client (Haley). If you learn to approach a problem from multiple angles before settling on a solution you may be able to avoid a frustrating (and possibly noisy) mistake.

start/finish

Today was an eventful day at MINE™ as it was the last day in the office for both previous interns, Heidi Reifenstein and Nathan Sharp. We started the morning with some standard intern duties like shipping some Everything is OK posters and tape from the MINE™ site (one to Stefan Sagmeister), and some more creative moments during our brainstorming session for the re-naming and re-branding of a national non-profit. I was really surprised to see how strongly encouraged we (the interns) were to contribute ideas to the pool of names. We all spoke out when we felt we had something worth proposing (and sometimes even when we knew it wouldn’t work). The simple act of exhausting all the possibilities creates the most stable ground from which to move forward. Once we’d dumped the contents of our brains onto sticky notes and transcribed through scribbles in Moleskines – we left to celebrate the final work day for Heidi and Nathan at a Korean restaurant on Polk Street.

Nathan rode shotgun and I was in the back as Heidi piloted us in her veggie oil powered Volkswagen towards Hahn’s Hibachi. It was great to hear Nathan and Heidi reflecting on their time at MINE™, the ups and the downs. It gave me a little taste of what is to come and I have to say I’m more than excited. Seeing the four of them at lunch, talking, joking and  laughing really showed me that the interns at MINE™ are treated less like employees and more as peers. It’s inspiring and comforting to see that familial aspect of MINE™ up close. Past interns like Jennifer Hennessy, Emily Craig, Oona Lyons, Dexsy Repuyan and others all have expressed the same sentiment to me – that once you stop working at MINE™ the relationship doesn’t cease with the position. I know Heidi and Nathan know this and that they truly enjoyed their time here. I was sad to see them go – but simultaneously excited for the future and for my own relationship with MINE™, the working world, and design in general to develop in an environment that I know is much more than a paycheck.